This work is concerned with verticality as a spatial and relational condition. It looks at how hierarchy, distance, and dependence can be constructed through positioning within a shared environment.
The work considers falling as a structural logic rather than an event. Gravity is treated as a constant force that organizes bodies, objects, and materials within the same system. Different substances—fluid, organic matter, metal—are placed on the same axis of descent, where distinction is less important than direction and duration.
The enclosed space functions as a controlled environment where spatial relations become fixed and readable. Within this condition, the body is not presented as psychological subject but as a point within a spatial diagram.
Sound operates as a secondary structure that reinforces physical contact and movement through the space. It extends the logic of descent beyond the visual field, turning impact and drip into temporal markers.
The work is interested in how meaning can emerge through repetition and alignment rather than narrative progression, and how a simple spatial rule can generate tension over time.